The FaintOct 09, 2016 03:00AM ● By Josefina Loza
Perhaps we’re spoiled in Omaha. While mainstream America suckles on pop-tart music offerings, we’ve grown fat on a steady diet of indie rock.
For goodness sake, independent record label Saddle Creek Records is in our backyard. Indie rock star Conor Oberst considers Nebraska home. And hometown music legends The Faint continue to release new music for fans to devour.
In fact, the Omaha-based and internationally touring band, The Faint, just released a career retrospective, CAPSULE: 1999-2016, featuring 17 years of hits along with two brand-new tracks. The band currently consists of Clark Baechle, Dapose, Graham Ulicny (in place of long-time keyboard player Jacob Thiele), and Todd Fink.
“The new release is a collection of songs from the time when we started making music until now,” says Fink, the band’s lead singer, in a recent phone interview while on tour.
The new album, CAPSULE: 1999-2016, is filled with heavy, punky, electronic, pulsating, dark dance music of the past. The two new songs are titled “Skylab1979” and “ESP.” After a September digital release, the vinyl double LP was scheduled to debut on Oct. 28.
The Faint’s newest album signals a return to a familiar label, Saddle Creek. (That’s right, after briefly breaking away to start their own label, The Faint has returned to Saddle Creek.) In August, Saddle Creek shared a video for the band’s second new track, “Skylab1979,” which compiles old footage from outer space missions into a static-laden supercut.
We’re always looking for what’s going to happen next. We never quite get the momentum of other trends. That might hurt us, but we make music that we like and hope that fans like.”
While on tour, lead singer Fink shared his thoughts about the recording process, the band’s live shows, and his 17-year career with The Faint.
Although the band was conceived in 1994, and performed under the name “Norman Bailor” with a young Oberst, it grew into something much more. Songs faded. Faces changed (other former members included Matt Bowen and Joel Petersen). But the band’s insatiable desire for perfecting their sounds never wavered.
The Faint was electro-dance-punk before there was such a genre. “We were trying to push something futuristic, trying to find something that felt beyond guitars and traditional (rock) sounds,” Fink says.
In 1997, the band was renamed as The Faint. Two years and a lot of experimenting with synthesizers later, The Faint nailed its signature sound—throbbing and moody. CAPSULE: 1999-2016 takes fans on the band’s musical journey.
“That whole time we were figuring out what we were doing,” Fink says. “We waited. We were waiting to find out who we were as musicians, what our vision for music was going to be.”
Being visionary helped The Faint quickly find their audience. With Blank-Wave Arcade in 1999, the band began to enjoy breakout success, and people took notice.
Throughout the new release of CAPSULE: 1999-2016, The Faint continues to keep their die-hard fans in mind. “We’re always looking for what’s going to happen next,” Fink says. “We never quite get the momentum of other trends. That might hurt us, but we make music that we like and hope that fans like.”
Visit thefaint.com for more information. Omaha