Taking Time To DesignApr 09, 2018 03:37PM ● By Lisa Lukecart
In a little over a minute, a buyer falls in love with a house. That’s all it takes.
It happened to Aubrey Hess. She knew it immediately when she entered the front doors of the two-and-a-half-story American foursquare house. She called her husband Corey in a panic.
“This is it,” Aubrey said. “Get over here.”
Aubrey realized it needed some work. She should know. Aubrey, a realtor for the past 12 years with Better Homes and Gardens, has stepped into countless homes. Only a few have grabbed her attention.
But something in those seconds on 110 S. 52nd St. moved her. She looked beyond the peel-and-stick laminated tile, the orange-tinted wooden floors, and lackluster yellow walls. Aubrey saw potential. Corey, an architect with DLR Group, realized it despite knowing the electric wiring and roof needed work. No “little pink houses” on this block. Instead, the uniqueness of the midtown neighborhood appealed to the creative couple. The added space would be ideal for their two growing girls, Emerson and Montgomery.
The first month became a flurry of activity. Walls deserved a fresh coat of paint, light fixtures became interesting pieces of art, and wooden floors were unveiled. Birch on the main level, oak on the second, and pine on the third. Pine possibly due to the history of the almost 100-year-old house. Live-in servants typically utilized the third floor, so owners didn’t dish out the most expensive wood.
The bones of the house have remained, giving it a bygone vibe. The dining room has a small circle service bell built into the flooring from days past. Rooms have the original old-fashioned swinging and hidden pocket doors. The light switches don’t flip, but are still the same push buttons from the 1900s. Corey even cooked the heavily painted doorknobs in a crockpot with soap and vinegar to keep the novelty intact.
“We wanted to be respectful to the topology,” Corey says. “What’s the point of buying the house otherwise?”
The house has character, and little touches like these add flavor to the couple’s eclectic, “kick of fun” ideas. A gold chicken-legged end table stands next to a black cowhide in the “smoking room.” Meanwhile, a twisty white papier-mâché night table complements a slat metal headboard in the guest room.
After the family moved in, Aubrey wasn’t sure how to finish off the last bit of the house. Luckily, interior designer Roger Hazard sat next to her at a charity event and the two talked wallpaper.
Every single project provides a challenge. In this case, it seemed to be a matter of cohesion. Hazard has visited with homeowners in every single state and made his mark making homes interesting. His bold style landed him three hit television shows on A&E—Sell This House, Move this House, and Sell This House: Extreme—as well as two Emmy nominations.
Hazard, along with husband Chris Stout, decided they wanted a change from the fast-paced lifestyle of traveling road shows. The two established Roger + Chris, “the home of the unboring home.” Hazard saw cool development opportunities and hype in Nebraska.
“Omaha is going to be a hot spot in the next 10 years,” Hazard predicts.
The two settled in to design different styles from contemporary to conservative to traditional. Hazard first created a presence in each room for the Hess family. The upstairs hall was painted with a large splash of emerald green while the color continues with a smaller presence in the velvet drapes in the smoking room.
In addition, Hazard and Stout make and name their own furniture. “Bunny” is a black-and-white striped loveseat with a hyacinth-colored interior, which will be placed to the right of the front door.
“Stripes are my favorite color,” Aubrey jokes.
The house is a mix of materials, fabrics, and textures. Plus, it harbors a touch of masculine and feminine. For example, pink velvet chairs in the dining room mingle with a gray tweed couch.
It is relaxed, yet stimulating. The family loves to entertain, so each room is a talking point. Rorschach flashcards are framed and hung on one graphite gray wall. Guests can interpret the psychological blots.
“I would rather buy something fun to mess up than something boring,” Aubrey adds.
This rustic refinement is perfect for a family that loves to eat, play, and have fun. It gives her daughters room to play. The custom-made walnut tree dining room table is strewn with a puzzle the girls started to piece together. Corey, along with a friend, designed the black-bottom base. The family also spends hours in the smoking room—not smoking—reading because the sun warms the area with light. A concrete coffee table in the living room can be moved aside when dance parties break out.
The Hess girls do spend time in their bedrooms, preferring alone time during the day, though the two are inseparable at night. Rather than the typical pink walls, both rooms are adorned instead with empowering quotes from strong women such as Eleanor Roosevelt and Ruth Bader Ginsburg.
Emerson, 8, likes the big house but isn’t a fan of the kitchen (which the family still plans to redo). Other small parts also need fixing up, such as the bathrooms.
And the basement is currently a work in progress. Corey exposed some bright brick and the trim has been replaced. Hazard plans to add hot pops of pink, blue, and orange to give it high energy. It won’t even feel like a basement, more modern and loft-like.
“We will hopefully be done by 2019,” Aubrey says with a laugh.
These two busy parents fit in bursts of inspiration when possible. Photos and framed artwork from their kids once took two long nights to finish. The grass out front has been replaced with synthetic turf so less time is spent on the lawn and more on relaxation. It’s one of the reasons why the two have spent time and effort designing it—so it will be a place of comfort and joy for the entire family.
Visit rogerandchris.com for more information about the A&E celebrity couple involved with the Hess family home’s redesign.
This article was printed in the March/April 2018 edition of OmahaHome.