Comic ReliefMay 24, 2017 03:12PM ● By Sean Robinson
Forget Batman and his gadgets, or Thor and his biceps. There's a new hero on the block—“Oldguy,” a spandex-sporting, crime-fighting senior citizen who seeks out injustice equipped with his “denture grapple.” While Oldguy may have the mighty ability to scale the First National Bank Tower, his illustrator is just another everyday citizen of Omaha. But that doesn't mean Tim Mayer isn't super, too.
Armed with a unique skill and the ability to seamlessly adapt different drawing styles, artist Tim Mayer's “Batcave" is his drafting table. Whether he’s working on a comic book or the cover of a sci-fi novel, his illustrations pack a punch — all of them uniquely different in appearance, but always skillfully, thoughtfully, and imaginatively executed to meet a project's needs.
"I've been drawing since I could hold a spoon," Mayer says. "It was one of those things that just instantly clicked for me."
But as is the case with many freelance artists, the work didn't instantly come clicking in after he earned his bachelor's degree in studio art from the University of Nebraska-Omaha in 2008. While working a stint as a shoe salesman, he picked up a few smaller drawing gigs. That all changed after he began attending creative workshops at Legends Comics & Coffee (5207 Leavenworth St.). It was in the comic shop’s basement where he met Jeff Lawler, a local writer who pitched him the idea for his next big project.
Together, the two created The Anywhere Man, a comic about an ex-solider who, after a freak accident, has the power to instantly transport anywhere. Following Anywhere Man, Mayer illustrated two additional comic/short story hybrids — Oldguy and Prophetica, a digital comic that tells a fictional tale about prophecies, brutal ancient rituals, and the fate of civilization hanging on a thread.
"I struggle to see consistency in my work," Mayer admits. "I look at one thing I illustrated compared to another and I see a completely different side of me."
One constant for Mayer has been his involvement with the Ollie Webb Center Inc. (1941 S. 42nd St.). Mayer became a mentor there five years ago and now leads art and drawing classes at the organization, which strives to enrich the lives of individuals with developmental disabilities through support, programs, and advocacy.
"I introduce students to a variety of visual storytelling methods," Mayer says. "Whether or not a student wants to pursue something in the creative field, I see a lot of potential in each of them."
Mayer and his work bring new meaning to the term “self-portrait.” From whimsical sketches of a doe-eyed girl to haunting black-and-white skull designs, everything Mayer creates looks different on the surface, but always reflects the man behind the pen.
"My experiences and personality always show in my work," Mayer says. "If I look at something I created, I remember personally what was happening to me the moment it was drawn. It's my own public journal."
This article was printed in the May/June 2017 edition of Encounter.