Dec 23, 2016 12:44PM
By Josefina Loza
On a fresh autumn night, chatter filled a Lincoln home-turned-music-venue. A few guests trickled through the front door. “No big deal,” CJ Mills thought. It was just a handful of people. Moments later, more appeared. The trickle turned to a flood. All of a sudden, there were 80 people jam-packed against the makeshift stage.
An astonished Mills stood two feet from the standing-room-only crowd. “I couldn’t breathe,” recalls the 31-year-old singer from Omaha. “I went out the side door to take a few deep breaths.”
The moment was surreal.
This was all new to her. The jam-packed house party. The live acoustic sessions. The impromptu performances and scheduled studio time.
Life as a new musician moves fast—a constant hustle.
Three years earlier, Mills (a self-proclaimed introvert) could have never fathomed performing in front of other people. Yet, her soulful, bluesy-folk voice has garnered quite the reputation as a crowd-pleaser. Singing her most cherished words—short poems in lyrical form—only heightened the level of intimacy.
Mills has a profound gift for turning raw expressions of human frailness into something bordering on sacred. There’s something about her voice that commands complete attention. She can make a song cry.
She began singing in church as a young child. “I had always been singing since I was a kid. My family was very religious…Because I could sing, I was always made to,” says Mills, who began writing poetry during her early years.
“As a kid, I was huge into reading,” she says. “When I did something well, my mom would take me to the library or buy me a book.”
Soon after, Mills felt compelled to write her own short stories, which turned into poetry she later sang. That was, perhaps, her earliest simultaneous personal and artistic growth.
As a teen, singing wasn’t much of a highlight. She attended Marian High School, then ran track at Kansas State University, but was injured her junior year. While weightlifting, she squatted heavy one day and suffered a bulging disc. “Only time heals that wound,” she says.
Six months to be exact. With all the down time, she saw a decorative ukulele and taught herself how to play. She progressed to a guitar rather quickly. “I didn’t like the way it was strung,” she says of the first right-handed guitar she purchased, “so I flipped it upside down and restrung it so I could play it left-handed.”
Ambidexterity is kind of her thing. “I’m pretty even-handed. I write with both hands,” she says. “[But] I could not play that guitar. I don’t know why. Seemed so odd to me. After a month of trying, I Googled how to restring it.”
In terms of playing chords, she learned by listening to others. She was influenced by the stylings of Lauryn Hill, India.Arie, and Tracy Chapman. “Simple chords, yet, powerful lyrics,” she says. Their music spoke volumes to how Mills hoped to be perceived as an artist someday. Writing songs was a natural next step.
Mills graduated from college, then went on to the workforce. She became a health inspector, not the restaurant kind. More like the Breaking Bad kind. Off stage, she has been sent to investigate meth labs.
Mills has been playing live music for about three years, and with a band for one year. The band—featuring Mitch Towne, David Hawkins, and Max Stehr—has been a great collaboration of like minds, she says.
Mills began to develop her own individual style after college. Blending a mixture of reggae, folk storytelling, jazz melodies, and atmospheric harmonies. She performed her first show at Pizza Shoppe Collective in December 2013. There, she met All Young Girls Are Machine Guns frontwoman Rebecca Lowry, who took to Mills. She asked her to take the stage with her at a local venue.
Now for the whirlwind. Mills released her illuminating debut EP Quiet in 2015, which appeared on multiple lists of the year’s best Nebraska releases. She played the inaugural Femme Fest (organized by Lowry) that same year and returned as the festival’s headliner on Sept. 2.
Since then, Mills has stayed busy playing shows in Omaha and Lincoln. The music newcomer was featured at this year’s Maha Music Festival. Most notably, Mills was nominated for two Omaha Entertainment and Arts Awards: Best Singer-Songwriter and Artist of the Year.
Although she’s insanely talented, she’s modest and humble. “The only time I feel comfortable with music is when I’m by myself creating music or on stage playing it,” she says.
Back to that special autumn night. Mills turned that ordinary Lincoln house party into a musical theater.
She composed herself before stepping back on stage, frenetically rapping as she moved through her song “Retail Star” before launching into “I Can’t Be.”
Visit soundcloud.com/cjmillsmusic for more information.