Lowbrow Pop Culture Maven
Aug 26, 2016 05:54PM
By Sean Robinson
If it wasn’t for Bugs Bunny, Ren and Stimpy, or Johnny Bravo, we may never have gotten to know Dan Crane, artist extraordinaire. One of Omaha’s rising contemporary creators, Crane credits his formative years watching Cartoon Network as much as his degree in printmaking from the Kansas City Art Institute for his unique visual perspective.
“That pre-internet, pop culture aesthetic that animators were doing at the time was so particular. It never really left me,” Crane says.
One look at his work and that’s astoundingly clear. A hybrid of commercial and fine art, his pieces range from fartsy to artsy: one of his printed t-shirts displays a butt in mid-squat, while large abstract paintings fill his studio with inviting neon-hues.
Equal parts kid-at-heart and all-grownup, Crane has built an impressive professional portfolio. He has lent his eye-popping visual perspective to the Omaha Creative Institute, and Scout Dry Goods & Trade, and has helped to establish B&G Tasty Foods’ creative brand.
“We try hard to have interesting and unique signage at B&G, and Dan has really helped with that immensely,” says Eddie Morin, restaurant owner. “The most important work he has done for us is designing our new mascots, Louis Meat and Louise Frenchee. We’re using those guys all over the place now.”
Crane recently completed a gig for Mula where he had been commissioned to design, and print t-shirts. The finished shirts feature a monster holding a basketball and a taco with peace signs for eyes. The characters might seem unnatural for a Mexican kitchen and tequileria, but they are representative of Crane’s kooky and bold signature style.
When Crane’s not cooking up art for local eateries, he spends time at the Union for Contemporary Art. As a previous fellowship recipient, he has a small temporary studio at the Union. During his fellowship, which lasted from November 2015 through April 2016, he helped North Omaha school kids transfer their small drawings onto much larger pieces of plywood. The finished products were installed in Habitat for Humanity yards as pop-up public art.
“The Union is all about spreading positive social change through art,” Crane says. “Can I just say that I am so f***ing grateful for them?”
Yes, Crane’s language is commonly peppered with swear words. He’s also got a penchant for Atlanta trap music and once lived in an 1,800-square-foot Blackstone District storefront that was notorious for all-night raves. Nothing Crane does is by the book. And he’s just fine with that.
“The whole art with a capital ‘A’ thing really bugs me,” Crane says. “I’m not motivated to do something unless it’s super-approachable and can be related to on a real level.”
Crane often slips into episodes of nostalgia. Whether he is recalling childhood summers spent copying doodles inside libraries or the two weeks he served pad thai from a truck at Coachella (so he could quit the food industry and focus on art), he’s all about the journey. Not the destination.
“I still feel like I’m in my infancy stage as an artist,” Crane says. “I’m loving what I’m doing now and taking it one day, one project at a time.”
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